Change: or 'wildernesses' are devoid of any human presence and any (obvious) human intervention.Invariably these images are not necessarily ‘ends in themselves’. They are the product of a much larger process. More   View changes from previous version. (Word count: 558)

Change:  am engaged, in retrospect is ephemeral, hidden and un-recorded. Only the images exist as a kind of ‘trace’ of the act. Y Llymllwyd - (still) 2007James Brady 2007   View changes from previous version. (Word count: 556)

Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 555)

Change: Wyddfa - between Heaven & Earth (still) - 20062007Although the Gaia artworks attempt to capture the topographical characteristics, changing qualities of light and the ephemeral weather conditions of   View changes from previous version. (Word count: 555)

Change: - 2006Although the Gaia artworks attempt to capture the topographical characteristics, changing qualities of light and the ephemeral weather conditions of the locations, I regard   View changes from previous version. (Word count: 531)

Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 522)

Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 522)

Change: locations, I regard them more as paintings (or ‘video paintings’) rather than specifically as ‘videos’. These images essentially have more in common aesthetically with landscape painting for three key reasons: 1) Static ‘framed’ image you(even wantthough toproduced in a inserttime-based frommedia), your2) computer.Due   View changes from previous version. (Word count: 522)